Graduate research
Curious what topics our graduate students are exploring? The list below provides an overview into current and recent student research, but we also offer two other options:
is an annual symposium organized and run by AHVS grad students, allowing them to present their research to fellow students, faculty, and 樱花影视's greater community.
is a peer-reviewed graduate student journal, which allows our students to share their research and work together with colleagues in their chosen area of study.
|
You’ll Figure It Out: Secret Little Haven (2018 and Xenofeminism (2015) on Trans Youth and Internet Communities
|
Hope (Formerly Peter) Grauer
|
|
Art as a Way of Understanding the Environmental Crisis: Considering Agnes Denes’s Tree Mountain – A Living Time Capsule – 11,000 Trees, 11,000 People, 400 Years (1992-1996)
|
Isabel Gibson
|
|
Dining with Dissonance: Louis XV’s Bleu Céleste Dinner Service and French National Identity
|
Melody Ray
|
|
Hybridity in Iranian Architecture: The Case of the Qur’an Gate in Shiraz
|
Zara Karamad
|
|
Eclecticism and Experimentation in ‘Persianate’ Gardens in America (c. 1900 – 1950)
|
Mahshid Babaei Mahani
|
|
Dialoguing with Tradition and Building a Name in the Present: Elisabetta Sirani's Agency Through her Signature Practice
|
Vithoria Konzen Dill
|
|
Miss Esther Lyons Brings the Imagined
Klondike to Carnegie Hall
|
Miranda Carroll
|
|
Wearable Wonders: Fantasy and Empowerment in 樱花影视n Beetle Wing Gowns
|
Ann Edelstein
|
|
Luis Buñuel’s Subversive Use of Family Melodrama in Susana (1951)
|
Sarah Roberts |
|
Mantegna’s Manufacturing of the Maidservant: Examining Isabella d’Este’s Collection of Black Subjects
|
Rashana Youtzy
|
|
Art as a Life-Long Tool: How Art Education Guided Ruth Asawa’s Career and Advocacy in the Arts
|
Sophie Ladd |
| Confronting Gender Dichotomies: An Examination of the Feminist Politics in Rosemarie Castoro’s Art |
Megan Austin |
| Post-Industrial Modernism: Jazz-Age Anglo-Catholics and the Golden Cockerel Gospels |
Jessica Ziakin |
|
Creating Ideal Citizens: Identity and Representation of Late Ottoman Female Artists (1905 to 1925).
|
Dersu Yazicioglu
|
|
Representing 'Otherness' in Islamic Material Culture (in 12th to 16th centuries).
|
Seyedenegar Tabrizkhah
|
|
Luis Buñuel’s Subversive Use of Family Melodrama in Susana (1951).
|
Sarah L.Roberts
|
| An Ecology of Snow: Glancing at the Temporality of the Early Modern Landscape |
Teresa Sahara |
| Illustrating Editions of the Mabinogion Past and Present, Lady Charlotte Guest (1849; 1977) and Alan Lee (2000) |
Vanessa Spacey Dakin |
| Framing the Hooked Rug: Stories of Relevance Among 21st Century Nova Scotian Rug Hookers. |
Ashley Riddett |
| A Tale of Two Cities: Uniting Nature and Place to Create Well-being in New York City and Vancouver. |
Allison Farrell |
| Pleasure and the Difference It Makes: Remediatory Queer Digital Archiving for Sensual Sodomites and Contemporary Imagineers. |
Baylee Woodley |
Evaluating the Changing Representations
of 秋瑾 Qiu Jin (1875-1907). |
Evamarie Weicker |
| Playing with Garbage: Social Transformation through Participatory Public Art. |
Naomi Shields |
| Reflective Translation in 19th-Century Iranian Palaces: Aine-kari in Shams ol-Emareh. |
Shiva Ebrahimi Fakhar |
| Lu Yang’s Non-narrative Contemporary Chinese Iconoclastic Animation Art (2011-2016). |
Yingtong Cai |
| Persian Architecture and the Impact of Industrialization: The Case of Anarak Mine and the Town of Anarak, 1935-41. |
Azar Mirzaei |
| Contested Discourses: Do soòłįį satsò dekwoo beh. |
Jennifer Bowen |
| An Investigation of the Impact of Cultural Exchanges on the Interior Design of Palaces During the Qajar Era in Iran(Case Studies: Golestan and Niavaran Complexes). |
Anahita Ranjbar |
| At Home with Beatrix Potter: Constructed Meaning within the Museum Home. |
Maria Buhne |
| Remediating Spaces: European lithographs on the Painted Ceiling of the “Private Room” in Qavam House (1879-86). |
Arash Jahromi |
A Modernist Critiques Postmodernism:
Julian Beck's Scroll Painting for the Yellow Methuselah. |
Giorgia Autelitano |
| The Art of Resistance: Political Activism through Popular Bengali Cinema. |
Amena Sharmin |
|
Signs of Wonder, Alterity, and Exuberance:
The Grotesques of Ely Cathedral’s Lady Chapel.
|
India Cornell |
|
Activating the Space: Anarchism and the Design of the Abstract Gallery, Art of This Century.
|
Katayoun Youssefi Hamedani |
|
Climate Change Documentaries as Political Activism: Bridging the Awareness Gap.
|
Holly Cecil |
|
Exhibiting a Sense of Place in Double Exposure: Edward S. Curtis and the Indigenous Landscape of the Northwest Coast.
|
Alexa Heenan |
|
Picturing Modernism: Architecture, Lifestyle, and the “Embodied Image”.
|
Lindsay Kaisla |
|
Virtually There: A Comparative Study of Digital Databases and Nineteenth-Century Travelogues Recording Ottoman Architecture in Greece.
|
Elsie Mountford |
|
Ely Raman: Beyond the Fulcrum of Fluxus.
|
Abbey Hall |
| Experiencing 1963 Vancouver inLéonard Forest’s In Search of Innocence. |
Eleanor (Nellie) Lamb |
| Magnifying and Destabilizing “Primitive” Taxonomies: Materials, Images, and Methods ofFaith Ringgold’s Picasso’s Studio. |
Shanice Wolters |
|
Imported Pekalongan Batik: Emblems of Cosmopolitanism in Imagined Communities of Straits Peranakan Women.
|
Su Yen Chong |
| Alma-Tadema: "Life, Movement, Reality": Death and its Discontents in the The Roses of Heliogabalus. |
Kristen Matulewicz |
| The Edge of the West: The Jineta Sword of Muhammad XII and Elite Identity Construction in Muslim Granada. |
Alicia Hagy |
| Feelings of Death: Emotions and Senses in the Late Medieval Macabre. |
Bailey Arnholz |
| Longing for the Unseen: Connecting to a Balinese Imagined Community in Modern and Contemporary Art. |
Astara Light |
| Interwoven Identities: Portraiture and the Spaces of Cultural Encounter in Renaissance Venice. |
Jaiya Anka |
| A Synthesis of Creative Minds: Alfred H. Barr, Jr., Yoshio Taniguchi, and Trisha Donnelly's Artist's Choice Exhibition at the Museum of Modern Art. |
Kristi Hoffman |
| Tragic to Triumphant: Rosalba Carriera’s Self-Portrait, ca. 1746. |
Christine Oldridge |
| Idle Talk: Portraiture, Visual Culture and Politics in Eighteenth Century England. |
Alexandra Macdonald |
| Women Contained: Portraits, Space, and Representation at the Villa Barbaro. |
Terry Rodgers |
| Muses, Worthies and Nobles Looming on Ceilings: The Decorated Ceilings of Crathes Castle as a Model of Social Order in post-Reformation Scotland. |
Eliane Pineault-Bourgault |
| “In Search of Some Alpine Nightmare”? John Singer Sargent’s Experience in the Canadian Rockies, 1916. |
Kathryn Roberts |
| Avtres dictz poor mectre en paincture outappisserie: Humanist Allegory of Love in a French Early Modern Tapestry. |
Francoise Keating |
| A Women’s Touch: Embodied Practices in Italian Renaissance Art (c: 1470’s-1538). |
Jennifer Costanzo |
| Kasbnama-yi Bafandegi (weaving kasbnama): Doctrine of Jawanmardi and Artisanal Culture in Safavid, Iran. |
Fahimeh Ghorbani |
| Assembling Oh Persepolis II: The Simultaneity of Tradition and Modernity in Parviz Tanavoli’s Monumental Bronze Sculpture. |
Jenelle Pasiechnik |
| Discourse of Destruction: A Case Study on the Narrative of Adoption, Adaption, and Icon-clastic Damage of the Vintage Frieze Motif from the Late Antique Synagogue at Chorazin. |
Allison Grey-Noble |
| A World in Itself: The Forging of Civic Identity in Early Modern Bologna Through Saint Petronius and his Miniature City. |
Natalie Massong |
| Knitting for Our Lives: The Appropriation of the Cowichan Sweaters by the Hudson’s Bay Company during the 2010 Vancouver Olypmics. |
Regan Shrumm |
| Space, Place, and Race: Richard Roskell Bayne and the Oak Grove School, Mussoorie. |
Randip Bakshi |
| Cuyasamin’s Christs: The Legacy of Quiteño Colonial Art in the Age of Wrath. |
Lorena Calahorano Espinosa |
| Identification of Residential Compounds in the Central Desert of Iran. |
Atri Hatef Naiemi |
| Encoded Objection: Robert Rauschenberg and the NASA Artists’ Cooperation Program. |
Alanah Elaine Garcin |
| Much Unseen in Also Here: Emily Carr’s Forest Scenes of the Mid-Late 1930s and the Influence of Walt Whitman’s Transcendentalism. |
Brinlyn O’Hare |
| Colonial Craft: Ornamental Images of Labour on the Thornhill & Mayne Memorial in Alla-habad, India. |
Zahra Stark |
| Ismaili Castles in their Environmental Context (Case Study: Alamut Region). |
Seyedhamed Yeganehfarzand |
| Ideologies of National/Cultural Identity in The Cube Trilogy. |
David Christopher |
| A Sustainable Place from Modern Waste: Adaptively Reusing Aalto’s Silo in Oulu, Finland. |
Elisa Cullingham |
| Welcome to the WSANEC Nation: TEMOSENTHUT’s Artworks in the 樱花影视 International Airport as Markers of Territory. |
Bethany Dowell |
| Kate Craig’s Divergent Discourse in The Pink Poem (1977-1980): A Practice of Queered Dissent. |
Dorothy-June Fraser |
| The Visual Language of Globalization: Euro-American Classicism and Cultural Hybridity in South Korean Brand-name Apartment Complexes. |
Jeongwon Gim |
| The Production and Reception of Hybrid Expressions: A Study of the Trilingual Epigraphy at the Alcazar of Seville. |
Lindsey Schneidman |
| Making Space, Speak: Performing Violence in Gordon Matta-Clark’s Window Blowout. |
Erin Wallace |
| The Divine Words of the Emirati Pearl: A Study of the Epigraphic Program at the Sheikh Zayed Grand Mosque, in Abu Dhabi. |
Rakhi Bhatnagar |
| Virtuous Vampires: The Implications of Mormon Theology in the Twilight Series. |
Brooke Brassard |
| ‘ENACE TA’ – Come and canoe race! West Saanich No 5: The Archive & Performance. |
Gareth Clayton |
| All the Kings’ Horses: Idealism in Equine Paintings of Mughal India. |
Andrea Kuipers |
| In the Halls of Power: Interrogating Responses to the British Columbia Legislature Mural Controversy. |
Jennifer Cador |
| Fangs, Fear Friendship: Looking at the Monsters in Let the Right One In (2008) & Let Me In (2010). |
April Felker |
| Breakout, Breakthrough, Breakaway: Jack Bush, Clement Greenberg, and the Tensions Between Toronto and New York City. |
Stephanie Korn |
| A Treasured Legacy: The Social and Cultural Histories of Mughal Gems. |
Honoure McIlwain-Collard |
| The Decorations of the Palazzo Datini: Moral Exempla and Social Performance in Late-Medieval Prato. |
Brian Pollick |
| Marius Barbeau as Curator: The Exhibition of Canadian West Coast Art, Native and Modern. |
Kathleen Prince |
| Interplay and Poster Paint: Robert Aller and Indigenous Children’s Art Production at the Alberni Indian Residential School. |
Catherine Scoones |
| Chitrakar Traditional. Chitrakar Modern: Continuity and Change in Contemporary Nepali Painting. |
Thomas Sluchinski |
| Of Visions and Reflections: Uses and Representations of Mirrors in Safavid Iran. |
Juliana Su |
| The Archive in Contemporary Art: A Case Study of Sophie Calle’s The Birthday Ceremony. |
Leah Taylor |
| We the Poets, Philosophers, Serigraphers: Locating the Northwest Coast Indian Artists Guild. |
India Young |
| Relocating Charles Baudelaire’s Flâneur: An Examination of Montmartre and Toulouse-Lautrec. |
Magdalyn Asimakis |
| Contested Sites: The Development of The Wall of Death (1993), a Public Sculpture by Mowry and Colin Baden in Seattle, Washington. |
Veronica Best |
| Cairene Ceramics in Context: Exploring Intercultural Connections and Local Consumption with Shards from the Barqiya Quarter of Cairo. |
Heather Crowley |
| Monuments to the Past, the Present, and the Future: The Artistic Legacy of Elza Mayhew. |
Melba Dalsin |
| Trading Luxury: Kilwa, Qal'at al-Bahrain, Qsar es-Seghir and the Trade in Chinese Ceramics, 13th-16th centuries. |
Bryn Dharmaratne |
| Collecting Biographies and Collections Histories in North America: The East Asian Art Collection at the Art Gallery of Greater 樱花影视. |
Julia Lynn Kinglsey |
| Unveiling the Sun of Righteousness: An Exploration into the Spirituality of Katharine Emma Maltwood. |
Marnie Mandel |
| Hysterical Spaces: Curatorship and Meaning in the Traveling Exhibition, A Case Study of the National Gallery of Canada's 'Hysteria and the Body'. |
Kaitlyn Patience |
| Artistic Responses to Influence from East Asia by Selected Potters of 樱花影视 and the Surrounding Area. |
Eric Anderson |
| Arthur Erickson: Space, Landscape, and Topography. |
Emily Dobby |
| Children in Post - Tridentine Family Portraits: Negotiating Social Demands and Cultural Constructs. |
Michelle Robinson |
| Sacred Nudity: Finding Meaning in Paolo Veronese's Repentant Magdalen. |
Nancy Schnarr |
| Love and Melancholy: Text-Image Relations in the Frontispiece to the Anatomy of Melancholy. |
Christine Woychesko |
| Social Performativity, Gift-Giving and Exchange in the Reign of Emperor Charles IV of Bohemia. |
Ivana Horacek |
| Relentless Symmetries: The Urban Portraiture of Dede Eri Supria. |
Li Lim |
| Re-evaluation of Art Works by Yoko Takashima between 1994-2002. |
Machiko Oya |
| Reading the Chora: Movement and Meaning. |
Dealla Fahlman |
| Gord Hill Illustrating Indigenous Anarchism. |
Carissa Looman |
| The Illusion of Secularism: Mani Ratman's Bombay and the Consolidation of Hindu Hegemony. |
Angie Malhi |
| A Review of 'Gaudy Art' in Contemporary Chinese Art. |
Ximeng Guo |
| Landscape and Visualization in the Art of Albrecht Altdorfer. |
Caitlin Lewis |
| The Early Iconography of St. Thomas Beckett. |
Elizabeth Loeffler |
| The Systematic Erasure of Women from the Architectural Profession: Denise Scott Brown - A Case Study. |
Debra Saul |
After 2010, AHVS MA students were required to complete a Research Paper.
|
Robbyn Gordon Lanning |
2010 |
|
Michael Coughlin |
2009 |
|
Fatima Quraishi |
2009 |
|
Melody A. MacKenzie |
2008 |
|
Sandra Bligh |
2008 |
|
Susan Hawkins |
2008 |
|
Menno Hubregtse |
2008 |
|
Sarah Murphy |
2008 |
|
Stephanie Webb |
2008 |
|
John F. Koenig |
2007 |
|
Catherine Nutting |
2007 |
|
Michelle D. Smith |
2007 |
|
Marla Stevenson |
2007 |
|
Alexander Townson |
2007 |
|
Linda P. Zajac |
2007 |
|
Kimberly Croswell |
2006 |
|
Mary Laycock |
2006 |
|
Inez Weston |
2006 |
|
Karen Avery |
2005 |
|
Kalan Greenwood |
2005 |
|
Angela Andersen |
2004 |
|
Geoffrey Carr |
2004 |
|
Rebecca Michaels |
2004 |
|
Eva Millar |
2004 |
|
Tusa Shea |
2004 |
|
Seanine Warrington |
2004 |
| Suprising Survival: The Preservation of Dawson City's Architectual Heritage. |
Ron Burnham |
2003 |
| The Development of Guanyin's Gendered Identity in Song and Yuan Painting: A Complexity of Symbols. |
Justyna Krol |
2003 |
| Negotiations of Identity: The Life and Art of Gu Xiong. |
Mary Lucas |
2003 |
| Embedded Conflict in the Work of James Gordaneer, 1952 to 2002. |
Lucia Sanroman |
2003 |
| Ottoman Architecture in the Hungarian Province. |
Csenge Szabo |
2003 |
| Conserving the Cultural Landscape in the City of 樱花影视: Artist Live-In Sudios...Or Not? |
Louine Niwa |
2003 |
| The Politics of Transgression: Women Painters in Bali in the 1990s. |
Adrienne S. Truchi |
2002 |
| Rangda Revisted: Pluralizing Euramerican Stereotypes of Bali's Queen of Witches. |
Claire Fossey |
2001 |
| Mark Prent - Horror in Canadian Art. |
Kimberly Reinhardt |
2001 |
| Creating Feminist Subjectivities and Spectatorship in Brenda Pelkey's 'Dream of Life and Death'. |
Nancy Yakimoski |
2001 |
| Restoring the Biographical Portrait: The Case of Mary Beale (1633-1699). |
Kristin Campbell |
2001 |
| San Vincenzo Al Volturno and the Use of Ornamental Borders in Romanesque Wall Painting in Central Italy. |
Maria L. Marchiori |
2001 |
| The Development of the Coronation of the Virgin in Tecento Venice: Sources and Meaning. |
Angela Roberts |
2001 |
| Mary Delany: Artistic Ingenuity in Eighteenth-Century England. |
Ginger Warden |
2000 |
| Building Nizamuddin: A Delhi Sultante Dargah and Its Surrounding Buildings. |
Hussein Keshani |
2000 |
| Late Mamluk Architectural Patronage in Cairo: Qansuh Al-Ghouri (1501-1516). |
Nadania Idriss |
2000 |
| Writing Art HIstory Writing Blake Writing Art. |
Richelle Funk |
2000 |
| She's Filing Her Nails While They're Dragging the Lake: Representations of Women in Contemporary Film Noir. |
Julie Hewlett |
2000 |
| Monks, Immortals, Ladies and Literati: A Chinese Painted: Handscroll of Famous Literary Themes. |
Sumni Nishimura |
2000 |
| The Pagan Origins of Anglo-Saxon Monumental Stonework. |
Michael Reed |
2000 |
| Coast Salish Mountain Goat Horn Bracelets: Evidence of Change and Continuity in Coast Salish Art Production and Use During the Early Contact Period on the Northwest Coast of America. |
Robert Leece |
1999 |
| Public/private Construction: The Photographic Album of Nellie L. McClung. |
Lara Wilson |
1999 |
| Land of the Painted Totem: Northwest Coast Native Art at the Service of the 1958 British Columbia Centennial. |
Brenda Weatherson |
1999 |
| Virtuous Ladies and Melancholic "Genuses": A Study of Gender-Based Creativity in Italy During the Modern Period. |
Laurie Glenn |
1999 |
| Traditional Arts, Contemporary Artists: Study of Influence and Change in Irian Jaya, Indonesia. |
Robyn Roper. |
1999 |
| Gender Representation in Tuscan Tombs of the Trencento & Quattrocento. |
Cassandra Getty |
1998 |
| The Park Hotel, Shanghai (1931-1934) and Its Architect, Laszlo Hudec (1893-1958): "Tallest Building in the Far East" as Metaphor for Pre-Communist Shanghai. |
Lenore Hiekamp |
1998 |
| The Crucifixion Window at Poitiers Form, Context and Symbolism. |
Nicole Kleinsmith |
1998 |
| A Portrait of the Artist in Society: Warhol Paints Warhol. |
Pati Tozer |
1998 |
| Marian Anti-Semitism in Medieval Life and Legend: A Study Based on Alfonso X's Cantigas De Santa Maria. |
Deidre Jackson |
1997 |
| Reflections of a Past Era: The Photographic Collection of Ernest Albert Crocker 1903-1946. |
Ellen Peel |
1997 |
| Mughal India and the Religious Image: The Influence of European Christian Prints on Mughal Miniatures, 1580-1627. |
Helen Delacretaz |
1997 |
| Antiquity Observed: The Jonathan Richardsons (Senior and Junior) on the Sculpture of Greece and Rome. |
M. Shailoo Bedi |
1996 |
| The Flower Beadwork People: Factors Contributing to the Emergence of Distinctive Metis Cultural Artistic Style at Red River From 1844-1869. |
Sharon Blady |
1995 |
| Curious Seen: Bacus of the Delmi Sultanate. |
Jennifer Lort |
1995 |
| The Winnipeg Show 1955-1970: Local and National Significance. |
Dianne Scoles |
1995 |
| True to God and King: Alabaster Heads of St. John in Late Medieval England. |
Janice A. Currier |
1994 |
| Installation as "Power Field": Historical Precedents and Contemporary Practice with Canadian Examples and a Case Study of the Art of Magor. |
Marla A. (Pierce) Strong Culjat |
1994 |
| Burning Issues in the Art of Nilima Sheikh. |
Donald Morrison |
1994 |
| The Great Mosque of Banda Aceh: Its History, Architecture and Its Relationship to the Development of Islam in Northern Sumatra. |
Wilhelmenia R. Raap |
1994 |
| The Art of North West Coast Basketry 1890-1910. |
Alison Ross |
1994 |
| The Intermedia Society (1967-1972) and the Early Vancouver Performance. |
Gail Tuttle |
1994 |
| The Pala D'Oro of San Marco in Venice in its Art Historical and Historical Contexts. |
Nancy Gail Broden |
1993 |
| The Development of the Iconography of the Vision of St. Eustace. |
Dorothy I. Doherty |
1993 |
| Wat Chaiwatthanaram and the Legitmating of King Prasat Thong of Ayutthaya. |
Beth L. Fouser |
1993 |
| Painting the Passing Race: Arthur Pitts (1889-1972) on the Northwest Coast. |
Kerry L. Mason |
1993 |
| Gender Relations and the Noli Me Tangere Scene in Renaissance Italy. |
Carmen L. Robertson |
1993 |
| Iconography of the Eucharist in Early Christian Art. |
Kathleen Lane |
1992 |
| Infernal Topography: The Evolution of Hell Imagery in the Middle Ages. |
Janis Johnston Elliott |
1991 |
| San Francisco Rock Posters, 1965-1971. |
Sally A. Tomilinson |
1991 |
| Qur'anic Epigraphy in the Delhi Sultanate: The 'Alai Darwaza'. |
Alexandra Bain |
1990 |
| Romanesque Figural Dado Imagery in Italy: three Case Studies. |
Jill Jazel Bain |
1990 |
| The Funerary Complex of Q YTB Y in the Eastern Cemetery: An Interpretation. |
May Farhat |
1990 |
| Ruins of Power: Picturesque Portraits of Sultanate Architecture. |
Sonia Lochner |
1990 |
| Olmec Jade: A Cross-Cultural Perspective. |
Heather S. Orr |
1990 |
| The Work and Thought of Ozias Leduc in the Intellectual and Social Context of His Time. |
Barbara A. Winters |
1990 |
| Celtic and Anglo-Saxon Contributions to Framing and Spatial Conventions in Medieval Codex Design. |
Donna Marie Kelly |
1989 |
| "The Double-Line Fold Drapery Motif." Julia F. Whittaker, "The Linners: Art in 樱花影视 1920-1989." |
Dominic St.-J. Marner |
1989 |
| The Bengal School of Painting and the Nationalist-Revivalist Movement in Bengal. |
Baruna Bhattacharjee |
1988 |
| 12th Century Imagery of the Virgin Mary - The Paragon at Chartres. |
Claudia June Butler |
1988 |
| The Baroque Style and the Oratory in London. |
Scott Gibson |
1988 |
| The Fresco Cycle in the Lombard Church of Santa Maria Di Casstelseprio. |
Helene-Marie P. Goulet |
1988 |
| In the Way of the White Man's Totem Pole: Isimshian Gravestone, 1879-1930. |
Ronald W. Hawker |
1988 |
| The Art of Alex Janvier: A Blend of Euroamerican and North American Indian Art Traditions. |
Derek Swallow |
1988 |
| The Shamsa in Iranian Illuminations. |
Elaine J Wright |
1988 |
| Illustrated Manuscripts of Diwan of Hafiz Produced During the Safavid Period 1501-1722. |
Nasrin R. Neyestani |
1987 |
| George Tooker: A Reasessment of the Artist. |
Jodi A. Wigmore |
1987 |
| Pre-Columbian Pottery and Sculpture of the Diquis Zone, Costa Rica. |
Henriette A. Schmidt |
1986 |
| The Influence of Religion on Dorset and Ipiutak Art. |
Emily Auger |
1985 |
| Post-Fifteenth Century A.D. Islamic Architecture in Libya. |
Abdalla A. Abdalla Elmahmudi |
1985 |
| A Vision of Salvation: Raigo Painting. |
Gail Fay Chin-Bryant |
1985 |
| Estonia: A History in Architecture. |
Helene M. Wieland |
1985 |
| National History Dioramas: A Popular Art Idiom in the Museum Context. |
Karen E. Wonders |
1985 |
| The Madrasa of 'Aluddin Khaiji'. |
Jeffrey B. Cohn |
1984 |
| Daughter of the Minotaur: Leonora Carrington and the Surrealist Image. |
Janice V. Helland |
1984 |
| The Iconographic Programme of the Zeno Chapel at Santa Prassede, Rome. |
Gillian V. Mackie |
1984 |
| Caravaggio's Seven Acts of Mercy in the Pio Monte Della Misericordia, Naples. |
Karen R. McDonald |
1984 |
| Images of Witchcraft in German Art From 1450 to 1550. |
Dorinda Neave |
1984 |
| The Shapes and Rhythms and Patterns of Things: The Linocuts of Sybil Andrews. |
Kathleen Niwa |
1984 |
| Felix Vallotton's Woodcuts and the Japanese Print. |
Mary A. Sipper |
1984 |
| The Mosaics of the Dome of the Rock in Jerusalem and the Great Mosque of Damascus: A Muslim Symbolism. |
Elizabeth J. Adey |
1983 |
| Safawid Epigraphy in Isfahan: The Masjid-i Shah. |
Nuha N.N. Khoury |
1983 |
| The Double-Headed Serpent in the Indigenous Art of the Northwest Coast. |
Margaret R. Laurence |
1983 |
| Social Change and Woodlands Indian Art: The Sandy Lake School. |
Alice Carol Pearce |
1983 |
| The Art of Decadence. |
Roger Simpson |
1983 |
| Charles John Collings, 1848-1931. |
Linda Heath |
1982 |
| Architectural Decoration Under Shah Abbas. |
Julianne E. Cavanaugh |
1981 |
| Ksan: Museum, Cultural and Artistic Activity Among the Gitskan Indians of the Upper Skeena, 1920-1973. |
Leslie A. Dawn |
1981 |
| An Analysis of the Eight-Deotoes Section in the Codex Land. |
Virgina Lee Ehrman |
1981 |
| The Image of the Clown in Expressionist Painting. |
Sally C. Stubbs |
1981 |
| Benedectine Monastic Building in England 1200-1540. |
James F.P. Bugslag |
1980 |
| The Crease Family and the Arts in 樱花影视, B.C. |
Christina B. Johnson-Dean |
1980 |
| Jack Shadbolt: A Study of a Canadian Painter. |
John Fleming |
1979 |
| Symbol and function in the Architecture and Manusoleum of Humanyun Padshah. |
Laurence Gross |
1979 |
| The Life and Art of Elizabeth Eleanor Siddal (1829-1862): A Re-Examination. |
Roberta June Pazdro |
1979 |
| Spiritual Franciscanism and the 'Vede' Frescoes of San Francesco, Assisi. |
June A. Pritchard |
1979 |
| Stylistic, Iconographic and Political Aspects of the St. Petersburg Bourse. |
Christine M. Stevenson |
1979 |
| The Symbolic Function of the Bank of Montreal Building on the Place D'imes, 1846: An Image of the English Mercantile Aristocracy. |
Brendan M. Vincelli |
1979 |
| The Hollywood Horseman: Evolution of an Archetype. |
R. Kerry White |
1979 |
| The Annunciation theme: A Case Study in the Unchanging Art of illustrction. |
Roy Allen Wiebe |
1979 |
| A Critical Bibliography of the Maltwood Archival Collection. |
Rosemary A. Brown |
1978 |
| Sketches From the Colonial Period: Early Artistic Representation of British Columbia and Vancouver Island. |
Helen Peters |
1978 |
| Eminent Post-樱花影视ns: The Bloomsbury Circle and the Visual Arts. |
Patricia Wright |
1978 |
| The Relationship Between Beaux-Arts City: Planning and the Municipal Reform Movement in the United States. |
Douglas Franklin |
1977 |
| An Examination of the Italian Glass Industry and Its Influence of Native Stained and Painted Glass. |
Louis Myron Goldich |
1977 |
| The Indus Valley Seals: A Method for Their Study. |
Elizaeth D. Lovatt |
1977 |
| An American Utilitarian Architectural Aesthetic. |
Frederick J. Netherton |
1974 |
| Images of Canadianism: A History of Currency as An Art Form. |
Leslie Lerena Forsyth |
1973 |
| Grounds for Re-Appraising the East Anglian Manuscripts of Early Fourteenth-Century. |
Alastair W. Kerr |
1973 |
|
Hamed Yeganehfarzand |
|
Zahra Kazani |
|
Francoise Keating |
|
|
Brian Pollick
|
|
|
Linda Zajac
|
|
Atri Hatef Naiemi
|
|
David Christopher
|
|
Catherine Nutting
|
|
Behrang Nabavi Nejad
|
|
Sutrisno Hartana
|
|
Filiz Tütüncü Çaglar
|
|
Dennine Dudley |
|
Nicole M. Kleinsmith |
| Paradigms of Collecting From Ethnography to Documenting the Individual Artists: Grace Nicholson and the Art History of Native Northwestern California Basketry During the Arts and Crafts Period, 1880-1930. |
M. Catie Cadge |
| The Late Ottoman EN' AM-I SERIF: Sacred Text and Images in an Islamic Prayer Book. |
Alexandra Bain |
| The Heiltsuk Case: Museums, Collectors, Inventories. |
Martha Black |
| Golubets, Gravehouse and Gate: Old Russian Traditions and the Wooden Mortuary Architecture in Russia, Siberia, and the North Pacific. |
Janice Currier |
| Vincent Massey: The Force of Culture. |
Karen Finlay |
| Rocky Mountain Palettes: The Art of Peter and Catharine Whyte. |
Kathleen Niwa |
| A Study of Cross-Cultural Aesthetic Receptivity: Art by Nicola Wojewoda and Inuit Artists' Responses to It. |
Emily A. Auger |
| Pictorial Cycles of Non-Biblical Saints: The Evidence of the 8th Century Mural Cycles in Rome. |
Lesly P. Jessop |
| The "New Woman" in fin-de-siecle Art: Frances and Margaret MacDonald. |
Janice V. Helland |
| The Early Medieval Chapel: Decoration, Form and Function: A Study of Chapels in Italy and Istria in the Period Between 313 and 741 AD. |
Gillian Vallance Mackie |
